Film & Video Production engages students in courses that build knowledge and skills in writing, analysis, production, and editing for film and video outlets. Students learn the art of cinematic storytelling, image design, and sound editing along with advanced post-production techniques and strategies within the broader field of film and video production. Students gain hands-on experience early on and throughout their tenure with workshops, seminars, and collaborative projects that lead to the distribution of their work via various traditional and digital outlets (e.g., competitions, film festivals, online platforms, screenings, social media, etc.).

For more information, please see the Academic Catalog.

Major Required

The Film & Video Production degree program consists of 11 required upper level classes (33 credit hours). The remaining 9 classes (27 credit hours) must be applied to either a Minor, or to completing the GFA certification (or both).
GFA = Georgia Film Academy

An introductory, yet critical examination of the historical development, and paramount economic, legal/policy, ethical, political, and social effects issues concerned with mass media, i.e., books, newspapers, magazines, recordings, radio, movies, television, the internet, public relations, and advertising. Particular attention given to competition, convergence, and mass media's impact on society, as well as society's impact on mass media.

View Instructors, Syllabi and Other Details

This is a writing workshop where students will investigate various story-telling styles, structures and techniques, and implement these analyses in the development of stories written for the screen. Students will also engage with marketing and promotional texts within the field.

View Instructors, Syllabi and Other Details

Fundamental techniques in producing, scripting, shooting, directing and editing film and video projects, with an emphasis on single camera narrative production for independent distribution.

View Instructors, Syllabi and Other Details

A study of the evolution and significance of the motion picture as a specialized form of artistic experience and as a form of Mass Communication.

View Instructors, Syllabi and Other Details

This course will provide students with an understanding of how films, from blockbusters to micro-budgets, are developed, financed, marketed and distributed both inside and outside established circuits of audiovisual trade.

View Instructors, Syllabi and Other Details

This workshop-based skills course explores the communicative uses of sound in audio-visual media, with an emphasis on early and deliberate decision-making about what listeners hear. A number of technically-driven creative skills projects are supported by an examination of the history of sound recording practices, the origins and development of the field of sound design, and critical listening and viewing exercises.

View Instructors, Syllabi and Other Details

This workshop-based skills course explores the communicative potential of the moving image. Students will analyze and practice deliberate strategies of image-making to produce intended effects for viewers. Through critical viewing and analysis, reading, skills exercises and a number of technically-driven creative projects, students will develop the expressive resources of the moving image for a broad use in audio-visual media.

View Instructors, Syllabi and Other Details

Students will work with the various aspects of film and video editing, synthesizing technology, creative storytelling, visual effects, motion graphics and sound editing, along with digital distribution formats and strategies.

View Instructors, Syllabi and Other Details

From the discovery of creative content to the technical demands of the position, students will learn the ins and outs of producing in every phase of production, from development to distribution.

View Instructors, Syllabi and Other Details

Students will build the vocabulary, conceptual framework, and practical skills necessary for directing audio-visual works. These include the ability to analyze and discuss shot progression, camera movement, and on-screen performance, as well as developing a deeper understanding of production practices and cinema as a visual language.

View Instructors, Syllabi and Other Details

Part film-production workshop and part study in film-history and aesthetics this skills-based class explores through action the methods, strategies, tools, and processes of non-fiction film communication.

View Instructors, Syllabi and Other Details

Direct involvement with the scripting, planning, producing, direction and post-production of film, television, or video programs under the supervision of the instructor. Emphasis on the advanced creative, organizational and managerial aspects of film, television, and video production.

View Instructors, Syllabi and Other Details